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      Review: Genre-hopping Lovecraft Country is a wild ride that (mostly) works

      Jennifer Ouellette · news.movim.eu / ArsTechnica · Monday, 26 October, 2020 - 11:54 · 1 minute

    A Black family in 1950s Chicago struggles to reclaim their lost ancestral legacy while warding off monsters and magic spells in HBO's Lovecraft Country , based on the 2016 dark fantasy/horror novel of the same name by Matt Ruff. Like the novel that inspired it, the series' pointed juxtaposition of supernatural Lovecraftian horrors against more mundane, but equally horrifying racial inequalities of that era is especially timely in a year that has seen widespread civil rights protests against the brutal killings of Black men (and women) by police officers. And social relevance aside, it also works as pure entertainment.

    (Some spoilers below, but no major reveals.)

    Set in the Jim Crow era of the 1950s, Ruff's book is structured as a series of short stories, although everything is inter-related. The first quarter of the book focuses on Atticus, a black Korean war veteran and big H.P. Lovecraft fan, despite the author's notorious racism. When his estranged father disappears after encountering a well-dressed white man driving a silver Cadillac, leaving a cryptic message, Atticus sets out on a road trip from Chicago's South Side to rural Massachusetts. He's accompanied by his Uncle George—publisher of The Safe Negro Travel Guide —and his childhood friend Letitia (aka Leti).

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      AT&T loses another 600,000 TV customers as it seeks buyer for DirecTV

      Jon Brodkin · news.movim.eu / ArsTechnica · Thursday, 22 October, 2020 - 20:11

    AT&T

    Enlarge / AT&T's logo and share price displayed on a monitor at the New York Stock Exchange on Tuesday, Jan. 22, 2019. (credit: Getty Images | Bloomberg )

    AT&T lost 627,000 TV customers in Q3 2020, an improvement over previous quarters as the company continues its attempt to sell the failing DirecTV division.

    In earnings results reported today, AT&T said it lost 590,000 "Premium TV" customers, a category that includes DirecTV satellite, U-verse wireline TV, and the online service known as AT&T TV. AT&T also lost 37,000 customers from AT&T TV Now, the streaming service formerly known as DirecTV Now.

    The Premium TV loss of 590,000 customers in Q3 is the best result since AT&T lost 544,000 subscribers in Q1 2019. AT&T's Premium TV losses ranged from 778,000 to 1.16 million customers per quarter from Q2 2019 through Q2 2020. AT&T currently has 17.1 million Premium TV customers, down from over 25 million in early 2017.

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      AT&T offloading DirecTV could be a “fire sale” as company weighs low bids

      Jon Brodkin · news.movim.eu / ArsTechnica · Wednesday, 7 October, 2020 - 15:22

    AT&T

    Enlarge / AT&T's logo and share price displayed on a monitor at the New York Stock Exchange on Tuesday, Jan. 22, 2019. (credit: Getty Images | Bloomberg)

    AT&T is reportedly moving ahead with its plan to sell DirecTV despite receiving bids that value the satellite division at less than one-third of the price AT&T paid for it.

    AT&T bought DirecTV for $49 billion in 2015 and has lost seven million TV subscribers in the last two years. In late August, news broke that AT&T is trying to sell DirecTV to private-equity investors and that a deal could come in at less than $20 billion.

    The New York Post yesterday provided an update on the sale process , writing that AT&T is pressing ahead with an auction even though it is "shaping up to be a fire sale." The sale process is being handled for AT&T by Goldman Sachs.

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      Sherlock Holmes 3 pourrait donner lieu à un nouvel univers cinématographique

      Felix Gouty · news.movim.eu / JournalDuGeek · Tuesday, 6 October, 2020 - 15:04 · 2 minutes

    Crédits : Warner Bros. Pictures.

    Et si le détective imaginé par Sir Arthur Conan Doyle était au centre du prochain MCU ? IndieWire rapporte aujourd’hui que Robert Downey Jr. et sa femme, la productrice Susan Downey, se sont exprimés au sujet de Sherlock Holmes 3 , lors du Festival de l’innovation organisé par le magazine économique américain Fast Company . Le film est attendu depuis Sherlock Holmes : Jeu d’ombres , le deuxième opus de Sherlock Holmes et du Docteur Watson interprétés respectivement par Downey Jr. et Jude Law, sorti en 2011. Malgré les turbulences de la pandémie de COVID-19, en particulier pour les autres titres de la Warner , sa suite est toujours prévue pour une sortie le 22 décembre 2021 . Les deux acteurs reprendraient leurs rôles respectifs et seraient mis en scène par Dexter Fletcher, le réalisateur de Rocketman . Désormais libéré de son personnage iconique de Tony Stark dans les films Marvel des années 2010, Robert Downey Jr. a bien l’intention de faire de l’univers victorien de Sherlock Holmes son nouveau terrain de jeu .

    « Pourquoi faire un troisième film si ce n’est pas pour ensuite décliner en spin-off des joyaux d’éléments secondaires divers ? » a-t-il clamé lors Fast Company’s Innovation Festival. À ses côtés, la productrice Susan Downey a précisé sa pensée : « nous pensons que (ce troisième film) est une occasion pour en proposer davantage, de développer certains de ses personnages, surtout compte tenu des possibilités qu’offrent désormais HBO Max. Nous avons quelques idées mais cela prend beaucoup de temps et de coordination à réaliser. L’univers cinématographique Marvel ne s’est pas fait en un jour. » En somme, l’idée après Sherlock Holmes 3 serait d’en tirer plusieurs spin-off, connectés les uns aux autres, voire une série sur la nouvelle plateforme SVOD de la Warner, HBO Max . Il faut dire qu’avec le film Netflix Enola Holmes , l’univers du détective britannique a le vent en poupe. Cependant, le couple Downey n’a pas nécessairement l’envie de reprendre ce qui a déjà été fait : la série Sherlock sur la BBC, avec Benedict Cumberbatch et Martin Freeman à l’écran, reste encore gravée dans les mémoires. « Nous ne voulons pas répéter ou refaire ce qui a déjà été produit ailleurs , a prévenu Robert Downey Jr. Mais je pense que la (franchise Sherlock Holmes) a de quoi prendre plus de dimensions. » Encore faudrait-il que les ayants-droits de Sir Arthur Conan Doyle soient du même avis.

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      New trailer for Alien director’s Raised by Wolves brings the lofty sci-fi

      Samuel Axon · news.movim.eu / ArsTechnica · Monday, 24 August, 2020 - 20:20

    My favorite video.

    Today marks the release of a new trailer for HBO Max’s upcoming sci-fi series Raised by Wolves , produced and initially directed by Ridley Scott, who also directed Alien and The Martian .

    Compared to the initial trailer that landed recently, this one fleshes the world out a bit more by introducing additional characters and more thoroughly explaining the central conflict in the series.

    Here’s a quick recap of what we know about the series so far: it principally stars a female, possibly part-biological android named Mother, who has left behind some catastrophe on humanity’s home planet to travel to a new one. There, she raises a group of children who will be the seed for a new human civilization that avoids the mistakes that purportedly destroyed civilization as we know it. But in the course of raising them, it becomes clear that the young humans are susceptible to the same tendencies that Mother claims were humanity’s undoing.

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      HBO Max drops first trailer for Zack Snyder’s Justice League

      Jennifer Ouellette · news.movim.eu / ArsTechnica · Sunday, 23 August, 2020 - 00:58

    The first teaser for Zack Snyder's Justice League is set to Leonard Cohen's "Hallelujah."

    Fans who have been clamoring to see Zack Snyder's director's cut of the disappointing 2017 film, Justice League , will finally get their wish, as HBO Max released a two-minute trailer for Zack Snyder's Justice League during the virtual DC Fandome event. The trailer actually leaked online before the panel, but was quickly pulled until the official release.

    (Some spoilers for the 2017 Justice League below.)

    The original Justice League was the third film in a trilogy that included Man of Steel (2013) and Batman v. Superman: Dawn of Justice (2016). It brought together Ben Affleck's Batman and Henry Cavill's Superman with Wonder Woman (Gal Gadot), Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher). They are on a mission to save the world from arch-villain Steppenwolf, a New God in search of three "Mother Boxes" that will enable him to terraform the Earth into something more hospitable to him and his army of Parademons.

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