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      Odysee, le « YouTube libre » qui attire les complotistes français

      Aurore Gayte · news.movim.eu / Numerama · Friday, 13 November, 2020 - 17:50

    Odysee, la plateforme de vidéos où le film complotiste Hold Up a été très partagé, est encore peu connue du grand public. Pourtant, après à peine quelques mois d'existence, elle est devenue l'un des endroits les plus propices à la complosphère française. [Lire la suite]

    Voitures, vélos, scooters... : la mobilité de demain se lit sur Vroom ! https://www.numerama.com/vroom/vroom//

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      Rewind 2020 : YouTube renonce à sa vidéo annuelle à cause du coronavirus

      Julien Lausson · news.movim.eu / Numerama · Friday, 13 November, 2020 - 09:03

    YouTube Rewind

    Il n'y aura pas de Rewind 2020 cette année. YouTube jette l'éponge, à cause de la pandémie de coronavirus. [Lire la suite]

    Abonnez-vous à notre chaîne YouTube pour ne manquer aucune vidéo !

    L'article Rewind 2020 : YouTube renonce à sa vidéo annuelle à cause du coronavirus est apparu en premier sur Numerama .

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      GitHub boots popular YouTube download tool after RIAA claim

      Kate Cox · news.movim.eu / ArsTechnica · Monday, 26 October, 2020 - 20:00

    An illustration of YouTube

    Enlarge (credit: YouTube / Getty / Aurich Lawson )

    A popular tool used for archiving YouTube videos, YouTube-dl, is gone from GitHub after the Recording Industry Association of America filed a claim arguing that the code is inherently illegal under copyright law.

    GitHub, which is owned by Microsoft, removed 18 projects on Friday that previously hosted versions of YouTube-dl, a Python library that allows for the downloading of YouTube video and audio files. Those repositories now display a message reading, "This repository is currently disabled due to a DMCA takedown notice. We have disabled public access to the repository."

    Although the notice is framed as a DMCA issue, the takedown notice from the RIAA, dated Friday, does not make claim that YouTube-dl is an act of copyright infringement. Instead, it alleges that the code itself is a violation of a different section of Us copyright law (as well as German copyright law), because the "clear purpose of this source code is to... circumvent the technological protection measures used by authorized streaming services such as YouTube, and [to] reproduce and distribute music videos and sound recordings owned by our member companies without authorization for such use."

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      Youtube-DL dans la sauce

      Korben · news.movim.eu / Korben · Monday, 26 October, 2020 - 11:55 · 3 minutes

    Tous ceux qui un jour ont eu envie de télécharger une vidéo YouTube ou en provenance d’un autre site, connaissent le logiciel Youtube-DL.

    Cet outil en ligne de commande, je l’ai essoré dans cet article , donc je ne reviendrai pas dessus. Malheureusement, mauvaise nouvelle pour les développeurs de cet outil qui est hébergé sur Github : Microsoft vient de fermer leur dépôt suite à une plainte DMCA en provenance de la RIAA qui estime que Youtube-DL viole les droits d’auteurs.

    Bon, OK, nous voilà revenus en l’an 2000. À quel moment est ce que la RIAA ou un autre organisme de ce genre peut encore penser qu’ils arriveront à stopper un logiciel comme celui-ci dont les sources sont libres ?

    En effet, déposer une telle plainte a toujours l’effet inverse. Tout d’abord, une grosse pub depuis quelques jours pour Youtube-DL dans tous les médias. Mais également des dépôts du code source clonés se retrouvent un peu partout sur la toile, y compris sur Github.

    Ainsi, non seulement le code de Youtube-DL était éternel et maintenant il est PARTOUT ! Histoire de troller, il y a même un petit malin qui a claqué tout le code source de Youtube-DL sur le dépôt DMCA de Github . Pour cela, il a profité d’une « faille » que Github n’a pas voulu corriger, qui permet de faire une « pull request » qui même non mergée possède une référence qu’on peut ensuite consulter ^^.

    Partout et il y a même un internaute qui s’est amusé à le convertir sous la forme d’images à se partager sur les réseaux sociaux et a livré les commandes pour le reconstituer .

    D’ailleurs, si vous voulez faire de même avec un de vos fichiers, il suffit d’installer le logiciel File2PNG et de l’utiliser comme ceci sous Linux :

    ./file2png -store FICHIER.TXT IMAGE.png

    Vous pouvez évidemment tout y mettre. Une autre image, un zip…etc. Bref, de la stéganographie.

    Voici ce que ça donne pour l’un de mes fichiers :

    Plus il y a de données à stocker, plus l’image sera grande.

    Et pour récupérer le fichier, il faut utiliser le paramètre -restore

    ./file2png -restore IMAGE.png

    D’ailleurs, l’action DMCA de la RIAA est très discutable, car d’après les juristes experts du sujet , Youtube-DL enfreint la loi lorsqu’on l’utilise. Le code source en lui-même n’étant pas actif, ils ne devraient en théorie pas tomber sous le coup d’une DMCA. Microsoft / Github serait donc en droit de refuser cette demande de la RIAA.

    Bref, essayer de faire disparaître un code source libre sur la toile, c’est un peu comme vouloir faire disparaître le pissenlit de la surface de la Terre en soufflant sur l’une de ses fleurs.

    Longue vie à Youtube-DL !


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      YouTube cracks down on QAnon conspiracists

      Financial Times · news.movim.eu / ArsTechnica · Friday, 16 October, 2020 - 00:47

    Conspiracy theorist QAnon demonstrators protest child trafficking on Hollywood Boulevard in Los Angeles, California, August 22, 2020.

    Enlarge / Conspiracy theorist QAnon demonstrators protest child trafficking on Hollywood Boulevard in Los Angeles, California, August 22, 2020. (credit: Kyle Grillot | Getty Images)

    Google-owned YouTube has become the latest social media platform to crack down on the pro-Trump conspiracy theory QAnon ahead of November’s US election, but stopped short of a full ban on the rapidly spreading movement.

    In a blog post on Thursday, the video platform said that it would “prohibit content that targets an individual or group with conspiracy theories that have been used to justify real-world violence,” citing QAnon and related conspiracy theory Pizzagate.

    The social media group also said that it had removed “tens of thousands” of videos and “hundreds of channels” related to QAnon, whose members believe US president Donald Trump is under threat from a Satanic “deep state” cabal of Democrats and Hollywood celebrities involved in child trafficking.

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      Pourquoi YouTube peut demander votre carte d’identité pour vérifier votre âge

      Julien Lausson · news.movim.eu / Numerama · Tuesday, 22 September, 2020 - 16:47

    YouTube limite d

    YouTube prépare un changement dans sa classification des vidéos en fonction de l'âge. Il va se servir de nouveaux algorithmes pour les vérifier automatiquement. Par ailleurs, pour s'assurer que les internautes ont l'âge requis pour voir les contenus interdits aux moins de 18 ans, le site demandera parfois une carte d'identité. [Lire la suite]

    Voitures, vélos, scooters... : la mobilité de demain se lit sur Vroom ! https://www.numerama.com/vroom/vroom//

    L'article Pourquoi YouTube peut demander votre carte d’identité pour vérifier votre âge est apparu en premier sur Numerama .

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      LGR’s Clint Basinger plumbs the depths of retro-computing—and his YouTube comments

      Lee Hutchinson · news.movim.eu / ArsTechnica · Tuesday, 22 September, 2020 - 15:15 · 1 minute

    Produced by Vara Reese, edited by Ron Douglas. Click here for transcript .

    Retro-tech YouTube is an awesome place to lose months and months of time—it's a place where awesome creators like The 8-Bit Guy and Techmoan ply their wares, tempting viewers with in-depth discussions of decades-old technology. My personal favorite retro-tech channel to fall into, though, is LGR , or "Lazy Game Reviews," hosted by the smooth-voiced Clint Basinger.

    LGR has been reliably churning out videos (often set to smooth jazz) for more than a decade, running the gamut from game reviews to industry retrospectives to... whatever this is , but the videos I love the most are the unboxing videos. They're not your typical unboxing videos—I mean, where else can you watch someone unwrap and set up a new old-stock IBM PC AT, model 5170 ? And then upgrade the crap out of it?

    We've done a couple of successful videos with YouTubers Markiplier and Linus Tech Tips , and so we thought it was time to give Clint at LGR the same treatment—we trawled through the comments on his past videos looking for gems, and then we asked him for his recollections about the comments and the videos to which they're attached.

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      YouTube: Copyright Lawsuit Plaintiff Uploaded Own Movies Then Claimed Mass Infringement

      Andy Maxwell · news.movim.eu / TorrentFreak · Tuesday, 22 September, 2020 - 15:08 · 6 minutes

    Sad YouTube Early July, Grammy award-winning musician Maria Schneider teamed up with Virgin Islands-based Pirate Monitor Ltd in a class action lawsuit targeting YouTube.

    Filed in a California court, the complaint centered on YouTube’s alleged copyright failures, including the company’s refusal to allow “ordinary creators” to have access to its copyright management tools known as Content ID.

    “Denied Any Meaningful Opportunity” to Prevent Infringement

    Painting YouTube as a platform designed from the ground up to attract and monetize piracy, the action contained a barrage of additional accusations, including that the mere existence of Content ID, through which creators can be compensated for otherwise infringing uploads, means that most infringement is shielded from YouTube’s repeat infringer policy.

    Schneider informed the court that a number of her songs had been posted to YouTube without her permission, noting that she had twice been refused access to Content ID and the “automatic and preemptive blocking” mechanisms that are available to larger rightsholders.

    For its part, Pirate Monitor Ltd claimed that its content, including the movie Immigrants – Jóska menni Amerika , was illegally uploaded to YouTube hundreds of times. The company said that while YouTube responded to takedown notices, they often took too long to process. Access to YouTube’s Content ID system was denied, Pirate Monitor added.

    YouTube Responds to Complaint, Files Counterclaims

    Much like the beginning of the complaint itself, YouTube and owner Google’s response begins in familiar fashion. The company denies that it encourages infringement, instead noting that it goes “far above and beyond” its legal obligations when assisting copyright holders to protect their rights, including by investing more than $100m in Content ID.

    Of course, this complaint largely revolves around YouTube denying the plaintiffs’ access to Content ID but to that allegation, the company has a set of simple and apparently devastating response points.

    Firstly, Pirate Monitor Ltd cannot be trusted since it has already engaged in fraudulent behavior in respect of Content ID. As for Schneider, not only is she suing YouTube over copyrighted music that she and her agents have already granted YouTube a license to use, her own agent has also used Content ID to generate revenue from those works on her behalf.

    Pirate Monitor Uploaded its Own Content Using Bogus Accounts

    While the claim that Schneider licensed her content to YouTube and made money through Content ID is surprising, that pales into insignificance when compared to the allegations against Pirate Monitor Ltd.

    During the fall of 2019, YouTube says that Pirate Monitor through its authorized agents created a series of accounts on YouTube using bogus account registration information to hide the relationship between the account creators and Pirate Monitor.

    These accounts were subsequently used to upload “hundreds of videos” to YouTube. These included clips from exactly the same works that Pirate Monitor accuses YouTube of infringing in its complaint – the films Csak szex és más semi and Zimmer Feri .

    “Each time these videos were uploaded, Pirate Monitor was representing and warranting that the video did not infringe anyone’s copyrights, and it expressly granted YouTube a license to display, reproduce, and otherwise use the videos in connection with the service. Pirate Monitor also represented that it owned or had the rights to upload and license the material contained in the videos,” YouTube’s answer reads.

    Shortly after, YouTube notes, Pirate Monitor followed up by sending “hundreds” of DMCA takedown notices targeting many of the videos it had uploaded through the disguised accounts.

    “In those notices, Pirate Monitor represented that the videos that were the subject of the notices — videos that it had uploaded — infringed its copyrights or the copyrights of a party whom Pirate Monitor was authorized to represent. YouTube processed the substantial volume of DMCA takedown requests and removed the videos,” YouTube adds.

    YouTube Backs Pirate Monitor Into a Corner

    As noted in YouTube’s answer, Pirate Monitor’s representations over the status of these videos cannot be correct in both instances. At the point of upload the company told YouTube that it had the right to upload the videos since they infringed nobody’s rights. If those declarations were untrue, the company breached the ToS agreement and “perpetrated a fraud on YouTube” by uploading infringing content.

    On the other hand, if it did have permission to upload the content, then Pirate Monitor knowingly made false statements to YouTube when it submitted DMCA takedown notices clearly stating that the uploads were infringing. The big question, then, is why Pirate Monitor engaged in this alleged conduct at all.

    YouTube: Pirate Monitor Wanted Access to Content ID

    According to YouTube, Pirate Monitor had previously applied for access to the Content ID program. However, the company was denied on the basis that it was required to demonstrate a valid need and have a “track record” of properly using the DMCA takedown process.

    YouTube believes that since Pirate Monitor was lacking these qualities, it cooked up a scheme to convince the video platform that it fulfilled the criteria.

    “Pirate Monitor believed that it could demonstrate both the need for access, and a track record of valid DMCA takedown requests, by surreptitiously uploading a substantial volume of content through accounts seemingly unconnected to it, and then sending DMCA takedown requests for that same content,” YouTube says.

    “Instead of showing that it could properly use YouTube’s tools, Pirate Monitor’s deceptive and unlawful tactics established that it could not be trusted, and that YouTube was right in rejecting its request for access.”

    YouTube’s Counterclaims

    As a result of Pirate Monitor’s actions, YouTube says that there has been a breach of contract. The company and its agents failed to provide accurate information during the account creation process and seems to have uploaded videos to YouTube that infringed third-party copyrights. All of this cost YouTube time and money, including investigating and processing Pirate Monitor’s claims that the content was infringing.

    Furthermore, YouTube notes that in its agreement with Pirate Monitor, the company is obliged to “indemnify YouTube for claims rising out of or relating to its use of the YouTube service.

    “In seeking defense costs and any potential liability in this action as damages for Pirate Monitor’s contract breaches, YouTube expressly preserves its separate entitlement to contractual indemnity and will amend its counterclaims to add a claim for that indemnity if Pirate Monitor refuses to honor its indemnity obligation,” the video platform writes.

    YouTube further alleges fraud in respect of more than a dozen accounts Pirate Monitor created for the purposes of uploading around 2,000 videos. Taking the statements in the subsequent DMCA takedown notices sent by the company as accurate, YouTube says that Pirate Monitor agreed not to upload infringing content but did anyway, each time declaring that it had the necessary rights to the content being uploaded.

    As an alternative, YouTube offers similar counterclaims in the event that Pirate Monitor actually had permission to upload the videos but abused the DMCA by issuing fraudulent takedown notices instead.

    Request for Injunction and Damages

    In addition to requesting damages to compensate for the harm caused by Pirate Monitor’s actions, YouTube demands a punitive damages award to compensate for its “fraudulent conduct”.

    The video platform also seeks an injunction barring Pirate Monitor and its agents from submitting any further DMCA notices that wrongfully claim that material on the YouTube service infringes copyrights held (or are claimed to be held) by Pirate Monitor or anyone it claims to represent.

    YouTube and Google’s Answer and Counterclaims can be found here (pdf)

    From: TF , for the latest news on copyright battles, piracy and more.

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      Fin de « l’impunité sur Internet » ? Ce que l’affaire Marvel Fitness change pour le cyberharcèlement

      Aurore Gayte · news.movim.eu / Numerama · Tuesday, 22 September, 2020 - 14:46

    Le Youtubeur Marvel Fitness a été condamné le 21 septembre 2020 à deux ans de prison, dont un an ferme et 10 000 euros d'amende pour « cyberharcèlement de meute ». Des sanctions et une jurisprudence majeures dans le droit français, qui pourraient ouvrir la voie à de nombreux autres procès. [Lire la suite]

    Abonnez-vous à notre chaîne YouTube pour ne manquer aucune vidéo !

    L'article Fin de « l’impunité sur Internet » ? Ce que l’affaire Marvel Fitness change pour le cyberharcèlement est apparu en premier sur Numerama .