The viral response to US influencer Ashton Hall’s morning routine shows that the manosphere is now mainstream

How does the perfect morning begin? With gentle stretching, a coffee in bed? It could be a walk in the sun, a hot breakfast or simply managing to spend the first 20 minutes off your phone before spending the next 20 on Instagram. Lately, it may feel like the answer is being more productive.

The optimised morning routine has become a near-mythical ideal for young people, sold by fitness influencers posting obsessively about their 5.30am starts, claiming to finish their weight training, macronutrient-rich meals and emails before our first alarm – promising that everything in your life would be better if you, too, had the discipline to just get up early.

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Meta plans to test out X's algorithm for Community Notes to crowdsource fact-checks that will appear across Facebook, Instagram, and Threads.

In a blog , Meta said the testing in the US would begin March 18, with about 200,000 potential contributors already signed up. Anyone over 18 with a Meta account more than six months old can also join a waitlist of users who will "gradually" and "randomly" be admitted to write and rate cross-platform notes during initial beta testing.

Meta claimed that borrowing X's approach would result in "less biased" fact-checking than relying on experts alone. But the social media company will delay publicly posting any notes until it's confident that the system is working.

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Threat Matrix service monitors social media profiles and flags up death threats, racism and sexist comments

The All England Lawn Tennis Club is using artificial intelligence for the first time to protect players at Wimbledon from online abuse.

An AI-driven service monitors players’ public-facing social media profiles and automatically flags death threats, racism and sexist comments in 35 different languages.

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The term for England footballers’ wives and girlfriends first exploded in 2006 in Germany. The new generation watching the Euros are turning the old stereotypes on their heads

When England take to the pitch for their first game on Sunday night in Germany, eyes will be trained not just on the players but on the team sitting in the stands, cheering on the squad – the wives and girlfriends of the players, the so-called Wags.

The acronym Wags first appeared in the Sunday Telegraph in 2002 – apparently coined by the staff of a Dubai hotel where the players’ wives and girlfriends stayed. Still a relatively new phenomenon, it exploded like a glitterbomb on to the resort of Baden-Baden, where the England squad were based during the World Cup in Germany in 2006.

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Facebook baisse d'un ton avec l'IA générative. Le réseau social revoit pour l'heure à la baisse ses projets : il n'y aura pas d'entraînement de son IA à partir des données de ses membres.

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Tech firms can do more, but it’s the government’s job to ensure children have safe places to play – and it’s not doing it

Three-quarters of children want to spend more time in nature. Having spent the Easter weekend trying to force four resistant teenagers off their phones and out for a nice walk over the Yorkshire Dales, admittedly I’ll have to take the National Trust’s word for this. But that’s what its survey of children aged between seven and 14 finds, anyway.

Kids don’t necessarily want to spend every waking minute hunched over a screen, however strongly they give that impression; even though retreating online satisfies the developmentally important desire to escape their annoying parents, even teenagers still want to run wild in the real world occasionally. Their relationship with phones is complex and maddening, but not a million miles off adults’ own love-hate relationship with social media; a greasy sugar-rush we crave but rarely feel better for indulging. Yet lately, longstanding parental unease over children’s screen habits has been hardening into something more like revolt.

Gaby Hinsliff is a Guardian columnist

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The royals are perennial clickbait, but the wild online bunkum over the Princess of Wales hints at new and darker forces

On TikTok, there is a short clip of what an AI voiceover claims is a supposed “ring glitch” in the video in which Princess of Wales reveals her cancer diagnosis. It has 1.3 million views. Others, in which users “break down” aspects of the video and analyse the saga with spurious evidence, also rack up millions of views and shares. I have then seen them surface on X, formerly known as Twitter, and even shared on WhatsApp by friends and family, who see in these videos, presented as factual and delivered in reporter-style, nothing that indicates that this is wild internet bunkum.

Something has changed about the way social media content is presented to us. It is both a huge and subtle shift. Until recently, types of content were segregated by platform. Instagram was for pictures and short reels, TikTok for longer videos, X for short written posts. Now Instagram reels post TikTok videos, which post Instagram reels, and all are posted on X. Often it feels like a closed loop, with the algorithm taking you further and further away from discretion and choice in who you follow. All social media apps now have the equivalent of a “For you” page, a feed of content from people you don’t follow, and which, if you don’t consciously adjust your settings, the homepage defaults to. The result is that increasingly, you have less control over what you see.

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The term evokes cosiness, affordability and community. But it’s being used as a cynical marketing ploy

What makes a neighbourhood restaurant? The phrase itself is evocative, bringing to mind the types of local trattorias or ocakbaşları or tavernas that punters return to regularly. The definition might vary from person to person, but surely a neighbourhood restaurant is defined by some combination of its longevity in the community, an accessible feel and affordable prices.

Over the past six months, though, I have seen the “neighbourhood restaurant” label deployed constantly in PR emails previewing a very different sort of establishment. The aim, I imagine, is to evoke a sense of cosiness and community – but there’s something off about it.

Lauren O’Neill is a culture writer

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